In my latest painting titled “Coming Through” I was challenged by the subtlety of the tonal changes. I have enjoyed doing this series as it allowed me to play with the extreme slightness of tonal change and color. I’ve found that using dry brush techniques has achieved interesting effects in my agave series.
Check out more of my desert paintings on FineArtAmerica.com.
More new work in my agave series that can be found on FineArtAmerica.
Check out more of my plant paintings on FineArtAmerica.com.
As I obsess over agave plants, I take a turn in a new direction playing with more vibrant colors and details. See my newest finished piece…
Last month I joined the California Art Club and attended a group paint-out at El Matador State Beach. It was an exhilarating experience to paint on the beach with other artists. Did I feel a little like one of the French Impressionists? Yes I did and I have to admit I was smiling all day. I made some new friends and broke in my new French easel in the sand.
I took out my 12″ x 24″ canvas and got a few comments on how large it was…this made me chuckle because I already knew that it might seem like a bit much to tackle for a 5 hour painting. As a teacher I would have discouraged using it but what the heck…I was there to make a painting and I was going to have fun! Of course I didn’t finish my painting but I took a few photos and brought it back to complete in my studio.
In the photo you’ll see that there is a very large white house that does not appear in the finished painting. The biggest challenge for me is remembering that I don’t have to paint things exactly as they are. The artists had the option of receiving a critique from Sharon Burkett Kaiser the Chairman of the Malibu/Ventura Chapter of the CAC and I wanted to know what she had to say about my painting. She had mostly complimentary things to say about my painting but commented about the white house that I had put in the painting. She said to me, “You don’t like that house, do you?” I had to laugh because I kept thinking it reminded me of a hotel and how it ruined the view of the beach. She said, “Leave it out.” I let that sink in a bit…I didn’t have to put in everything I saw?
Wow….what a revelation! Taking out that monstrosity made a world of difference in my painting and I’ve been reminding myself ever since that I have that thing called an “Artistic License”. My challenge is using it every day in every painting!
On the advice of my good friend and painter Kelly Reemtsen, I have been painting like crazy! I just completed 7 paintings of my new series of desert plants. Here is a look at what I’ve got in the works… much more to come.